{"id":276,"date":"2023-11-30T10:24:58","date_gmt":"2023-11-30T09:24:58","guid":{"rendered":"https:\/\/kabellion.net\/?p=276"},"modified":"2023-11-30T10:43:16","modified_gmt":"2023-11-30T09:43:16","slug":"12-11-2023-concert-pour-saint-veran-a-cheval-blanc","status":"publish","type":"post","link":"https:\/\/kabellion.net\/index.php\/2023\/11\/30\/12-11-2023-concert-pour-saint-veran-a-cheval-blanc\/","title":{"rendered":"12\/11\/2023 – Concert pour Saint V\u00e9ran \u00e0 Cheval-Blanc"},"content":{"rendered":"\t\t
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Pr\u00e9sentation<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Le programme \u00e9labor\u00e9 permet de faire entendre des \u0153uvres originales et transcrites, de Mozart<\/b> \u00e0 Richard Strauss<\/b>, pour un petit ensemble constitu\u00e9 d\u2019une soprano, d\u2019un violon et d\u2019un orgue, en alternance avec des \u0153uvres pour orgue solo, dans des r\u00e9pertoires compl\u00e9mentaires, propres \u00e0 mettre particuli\u00e8rement en valeur les orgues historiques de chacun des lieux propos\u00e9s pour ce programme.<\/p>

Autour d\u2019\u0153uvres concertantes, – Air de concert<\/i> de Mozart<\/b> pour soprano, violon et orgue, Brautzug <\/i>op.95 de Hubay <\/b>pour violon et orgue – de Motets, – Ave verum <\/i>de Dubois<\/b> pour soprano, violon et orgue, Ave Maria<\/i> de Saint-Sa\u00ebns<\/b> pour soprano, violon et orgue, Panis Angelicus<\/i> de Franck <\/b>pour soprano, violon et orgue – et de Lieder et extraits d\u2019oratorios transcrits pour soprano, violon et orgue \u2013 Allerseelen – Morgen<\/i> de Strauss<\/b>, H\u00f6re Isra\u00ebl<\/i> extrait de l\u2019oratorio Elias<\/i> de Mendelssohn<\/b> – des pi\u00e8ces d\u2019orgue des p\u00e9riodes classique et romantique, adapt\u00e9es aux esth\u00e9tiques des diff\u00e9rents instruments seront programm\u00e9es : Fantaisie <\/i>en fa mineur <\/i>Kv 594 de Mozart<\/b> en pr\u00e9lude \u00e0 l\u2019Air de concert Bella mia fiamma\u2026Resta, oh cara<\/i>, Fantaisie <\/i>en mi b\u00e9mol majeur <\/i>de Saint-Sa\u00ebns<\/b> en pr\u00e9lude \u00e0 l\u2019Ave verum <\/i>de Dubois<\/b>, \u00e0 l\u2019Ave Maria<\/i> de Saint-Sa\u00ebns<\/b> et au Panis Angelicus<\/i> de Franck<\/b>, l\u2019Esquisse n\u00b0 4<\/i> en r\u00e9 b\u00e9mol majeur de Schumann <\/b>programm\u00e9e entre Strauss<\/b> et Mendelssohn<\/b>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Le programme<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Wolfgang Amadeus Mozart (1756-1791)
<\/b>\u2022 <\/b>Fantaisie<\/i> en fa mineur Kv 594 (orgue)
\u2022 Air de concert :\u00a0Bella mia fiamma\u2026Resta, oh cara <\/i>(soprano, violon et orgue)<\/p>

Camille Saint-Sa\u00ebns (1835-1921)
<\/b>Fantaisie<\/i> en mi b\u00e9mol majeur (orgue)<\/p>

Th\u00e9odore Dubois (1837-1924)
<\/b>Ave verum <\/i>(soprano, violon et orgue)<\/p>

Camille Saint-Sa\u00ebns (1835-1921)
<\/b>Ave Maria <\/i>(soprano, violon et orgue)<\/p>

C\u00e9sar Franck (1822-1890)
<\/b>Panis Angelicus <\/i>(soprano, violon et orgue)<\/p>

Jen\u00f6 Hubay (1858-1937)
<\/b>Brautzug <\/i>op. 95 (violon et orgue)<\/p>

Richard Strauss (1864-1949)
<\/b>Allerseelen – Morgen <\/i>(soprano, violon et orgue)<\/p>

Robert Schumann (1810-1856)
<\/b>Esquisse n\u00b0 4 en r\u00e9 b\u00e9mol majeur <\/i>(orgue)<\/p>

F\u00e9lix Mendelssohn (1809-1847)
<\/b>Extrait de Elias\u00a0<\/i>: Air n\u00b0 21 H\u00f6re Isra\u00ebl <\/i>(soprano, violon et orgue)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Les interpr\u00eates<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Petra Ahlander – <\/i><\/b>Soprano<\/i><\/b><\/p>

Petra Ahlander Antonini \u00e9tudie le piano et la fl\u00fbte traversi\u00e8re dans son pays natal la Su\u00e8de, puis participe \u00e0 des spectacles d\u2019op\u00e9rettes avec une chorale amateur, avant d\u2019aller en France \u00e0 l’\u00e2ge de 18 ans comme jeune fille au pair.<\/p>

Apr\u00e8s avoir \u00e9tudi\u00e9 le chant, la musique de chambre, l’analyse musicale, l\u2019harmonie et le contrepoint au Conservatoire National de R\u00e9gion de Montpellier, elle entre au C.N.I.P.A.L. \u00e0 Marseille, ce qui lui permet notamment d’aborder la musique ancienne avec le groupe A Sei Voci sous la direction de Bernard Fabre-Garrus et d’int\u00e9grer les ch\u0153urs de L’Op\u00e9ra de Montpellier dans le cadre d’une insertion professionnelle. Elle y travaille ensuite en tant que choriste suppl\u00e9mentaire.<\/p>

Elle chante d\u00e9sormais en soliste avec des formations vari\u00e9es en France et en Europe un r\u00e9pertoire allant du XVIIe<\/sup><\/span> si\u00e8cle \u00e0 la musique contemporaine. Elle participe \u00e0 des nombreux festivals de musique sacr\u00e9e, mais consacre aussi beaucoup de temps \u00e0 d\u00e9fendre le Lied et la M\u00e9lodie. R\u00e9guli\u00e8rement invit\u00e9e au Festival d’Avignon, elle participe souvent \u00e0 des cr\u00e9ations musicales de compositeurs d\u2019aujourd\u2019hui.<\/p>

Petra Ahlander Antonini enseigne le chant \u00e0 l\u2019\u00e9cole de musique municipale de Clermont l’H\u00e9rault et \u00e0 l\u2019\u00e9cole de musique d\u2019Assas.<\/p>

Passionn\u00e9e par la transmission de l\u2019art vocal et son patrimoine musical, notamment le chant polyphonique, elle dirige un ensemble vocal f\u00e9minin, \u00ab\u00a0Minerva\u00a0\u00bb et un ch\u0153ur mixte, le \u00ab\u00a0Ch\u0153ur d\u2019Assas\u00a0\u00bb.<\/p>

Cordelia Palm – <\/i><\/b>Violoniste<\/i><\/b><\/p>

Cordelia PALM est n\u00e9e \u00e0 T\u00fcbingen<\/i> en Allemagne, <\/i>dans une famille de musiciens. D\u00e8s 2 ans, elle d\u00e9bute le violon, puis rapidement le piano avec son p\u00e8re, musicologue et chef d\u2019orchestre. S\u2019ensuit le parcours classique d\u2019une jeune prodige\u00a0: enregistrements pour la radio rt ma t\u00e9l\u00e9vision, concours internationaux\u00a0 <\/span>sans oublier l\u2019int\u00e9gration a la c\u00e9l\u00e8bre Juilliard School <\/i>de New-York.<\/p>

Elle int\u00e8gre rapidement l\u2019orchestre d\u2019Avignon au poste de violon solo super soliste. Se produit avec Charlier, P. Fontanarosa, B. Rigutto, J.-C. Pennetier, J.-C. Malgloire, G. Hoffman, H. Demarquette, V. Mardirossian, F. Buffet-Arsenisevic. <\/i>Interpr\u00e9te le double concerto de Brahms, le triple de Beethoven, Tcha\u00efkovsky, les Saisons de Vivaldi et Piazzolla, les Airs Boh\u00e9miens de Sarasate, la l\u00e9gende de Wieniawsky, le 1er<\/sup><\/span> concerto de Saint-Saens, le 5\u00e8me<\/sup><\/span> de Vieuxtemps et Mendelssohn.<\/p>

Elle a donn\u00e9 r\u00e9cemment 4 concerts aux Etats-Unis fin, notamment au c\u00e9l\u00e8bre \u00ab\u00a0Carnegie Hall\u00a0\u00bb de New York.<\/p>

Cordelia a cr\u00e9\u00e9 le duo \u00ab\u00a0Alcor<\/i>\u00a0\u00bb et le trio \u00ab\u00a0S\u00e9raphin<\/i>\u00a0\u00bb, \u00ab\u00a0l\u2019Ensemble Instrumental Kallist\u00e9<\/i>\u00a0\u00bb, \u00ab\u00a0Les Solistes d\u2019Avignon<\/i>\u00a0\u00bb, le trio \u00ab\u00a0Cordalisa\u00a0\u00bb<\/i>, et participe \u00e0 \u00ab\u00a0Tango et Arp\u00e8ges<\/i>\u00a0\u00bb, m\u00ealant danse tango, violon et harpe.<\/p>

La saison 2020-21 s\u2019est ouverte par une tourn\u00e9e o\u00f9 elle a interpr\u00e9t\u00e9 avec l\u2019ONAP le 5\u00e8me<\/sup><\/span> concerto de Mozart.<\/p>

En 2022 elle a jou\u00e9 les 4 Saisons de Vivaldi en dirigeant l\u2019orchestre depuis son violon. Puis, toujours avec l\u2019ONAP, elle a interpr\u00e9t\u00e9 4 romances de compositeurs romantiques en tourn\u00e9e r\u00e9gionale.<\/p>

Ses projets : une s\u00e9rie de concerts avec sa nouvelle formation, le Trio Amadeo, et une s\u00e9rie de cr\u00e9ations avec le Duo Alcor et le Trio S\u00e9raphin.<\/p>

Luc Antonini – <\/i><\/b>Organiste-Compositeur<\/i><\/b><\/p>

N\u00e9 en 1961 \u00e0 Avignon, Luc Antonini commence des \u00e9tudes musicales dans sa ville natale avant d\u2019entrer au Conservatoire National Sup\u00e9rieur de Musique de Paris o\u00f9 il obtient six Prix, harmonie, contrepoint, fugue, orchestration, analyse et celui d\u2019orgue \u00e0 l\u2019unanimit\u00e9. Il d\u00e9bute tr\u00e8s vite une carri\u00e8re de concertiste qui le m\u00e8ne dans les plus grandes villes d\u2019Europe et dans les festivals les plus prestigieux.<\/p>

Il enseigne l\u2019orgue au Conservatoire \u00e0 Rayonnement R\u00e9gional de Montpellier-M\u00e9tropole. Il est titulaire de l\u2019orgue Barker et Verschneider de la Coll\u00e9giale Saint-Agricol d\u2019Avignon, et co-titulaire de l\u2019orgue dor\u00e9 italien de la M\u00e9tropole Notre-Dame des Doms \u00e0 Avignon.<\/p>

Fondateur de l\u2019Association Orgue en Avignon, il fait d\u00e9sormais partie de l\u2019\u00e9quipe dirigeante de la nouvelle association fusionn\u00e9e Musique Sacr\u00e9e et Orgue en Avignon. Il contribue ainsi \u00e0 la mise en valeur et au rayonnement du Patrimoine Historique des orgues d\u2019Avignon et de sa R\u00e9gion par l\u2019organisation de pr\u00e8s d\u2019une soixantaine de concerts par an, dont le Cycle de Musiques Sacr\u00e9es du Festival d\u2019Avignon. Son vaste r\u00e9pertoire lui permet d\u2019aborder une litt\u00e9rature tr\u00e8s vari\u00e9e du XVII\u00e8me<\/sup><\/span> si\u00e8cle \u00e0 nos jours. Il a par ailleurs enregistr\u00e9 plusieurs C.D. toujours unanimement salu\u00e9s par la critique.<\/p>

Luc Antonini est aussi compositeur. Il a \u00e9crit plusieurs messes avec orgue et ensemble instrumental, des pi\u00e8ces pour orgue soliste, Dialogus,<\/i> Pr\u00e9lude<\/i>, Interlude<\/i> et Postlude<\/i> d\u2019apr\u00e8s la messe Lux et Origo <\/i>\u00e9dit\u00e9es aux \u00e9ditions Doblinger dans le recueil Nuovi Fiori Musicali, Trois Interlude<\/i> d\u2019apr\u00e8s le Veni Creator de Jehan Titelouze, <\/i>ainsi que <\/i>des pi\u00e8ces de musique de chambre dont quatre pi\u00e8ces pour quintette \u00e0 vent, quintette \u00e0 cordes et piano commande 2018 de la SACEM, cr\u00e9\u00e9es dans le cadre des 26\u00e8mes Automnales de l\u2019Orgue sous la direction de Jean-Pierre Lecaudey.<\/p>

Il a orchestr\u00e9 les Trois Danses pour orgue<\/i> de Jehan Alain, cr\u00e9\u00e9es par l\u2019Orchestre National du Capitole de Toulouse dans le cadre du Festival 2007 Toulouse les Orgues. Une nouvelle version de cette orchestration a \u00e9t\u00e9 cr\u00e9\u00e9e en mars 2011 par l\u2019Orchestre National d\u2019Ile de France dans le cadre de la Comm\u00e9moration Nationale de la naissance de Jehan Alain \u00e0 Saint-Germain- en-Laye. Une ultime version r\u00e9vis\u00e9e de cette orchestration fut interpr\u00e9t\u00e9e en octobre 2011 par l\u2019Orchestre National du Capitole de Toulouse sous la direction de Tugan Sokhiev ainsi qu\u2019en d\u00e9cembre 2011 par l\u2019Orchestre Lyrique de R\u00e9gion Avignon-Provence sous la direction de Benjamin Ellin.<\/p>

L\u2019association des Amis de l\u2019Orgue du Vigan lui a pass\u00e9 commande d\u2019une oeuvre pour grand orgue qui a \u00e9t\u00e9 cr\u00e9\u00e9 en juin 2019 par Thomas Ospital, organiste titulaire des Grandes Orgues de Saint Eustache \u00e0 Paris.\u00a0<\/p>

En avril 2023, il vient de gagner un prix dans la s\u00e9rie \u00abcomposition pour orgue solo\u00bb au\u00a0 <\/span>concours international de composition pour orgue Kaija Saariaho, organis\u00e9 en l\u2019honneur du nouvel orgue Rieger construit dans la salle de concert du Centre de musique d\u2019Helsinki.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Pr\u00e9sentation Le programme \u00e9labor\u00e9 permet de faire entendre des \u0153uvres originales et transcrites, de Mozart \u00e0 Richard Strauss, pour un petit ensemble constitu\u00e9 d\u2019une soprano, d\u2019un violon et d\u2019un orgue, en alternance avec des \u0153uvres pour orgue solo, dans des r\u00e9pertoires compl\u00e9mentaires, propres \u00e0 mettre particuli\u00e8rement en valeur les orgues historiques de chacun des lieux […]<\/p>\n","protected":false},"author":1,"featured_media":283,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[7],"tags":[],"class_list":["post-276","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenements"],"yoast_head":"\n12\/11\/2023 - 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